The new iPhones and Pixels create images that make subjects, objects, and places look incredible. You’re seeing this ad based on the product’s relevance to your search query. You can depend on it to both lock in and maintain focus, and that's pretty much all you want from an autofocus system. うとしたらどれがいいでしょうか?』のクチコミ掲示板 0.02秒の高速AFを実現したミラーレス一眼カメラ。小型軽量ボディにAPS-Cサイズの有効約2420万画素CMOSイメージセンサー「Exmor」を搭載。 But the A6400 with the 16-50mm still lacks the ability to create beauty. But with some muscle memory or practice, it's a handy little feature for taking better fill in dark interiors where the ceilings are not too high. 4,000 more than the A6400 equivalent. And for $100 more than the body alone, you get the Sony 16-50mm f/3.5-5.6, a tiny and featherweight power zoom lens with stabilization that can happily stay on the camera the majority of the time. In our photo walks with the A6400 and an old Fuji X100S, 10 times out of 10 we preferred the Fuji image, even when all other considerations were the same, such as framing, field of view, and depth of field. And if it’s going to be billed as a vlogging camera, you’re never standing still while shooting video. But the giant feature in the A6400 is the touch focus tracking. The 18-105 is the better lens: very sharp, constant f/4 aperture And for general purpose use, as well as for vlogging, it's superb. For complete specifications, take a look at Sony's official page. We’re not sure how well it works with Sony’s telephoto lenses, but if it’s as good as it works with the 16-50mm, then color us impressed. by Jaron Schneider| Posted 06/24/2019 Even though it introduced Sony's most impressive autofocus technology in some time, the Sony A6400 is not an exciting camera. On a superlight camera like the A6400, you need all the stabilization you can get. It will also be offered as a kit with the 16-50mm F3.5–5.6 lens for $1,000 USD and $1,350 CAD, or in a kit with the 18-135mm F3.5–5.6 So, with a free finger, you can tilt it to get a little bit of bounce flash. That makes it very handy for long video shoots, or timelapses. Oh and one more big point in the positive camp - the A6400 has done away with the overheating problems that plagued other A6000-series cameras. If you don’t memorize the feel for this early, you’ll find yourself constantly having to look at the lens to figure out where to press the zoom in or out button. Honestly, not really. A6400 photo taken with Fuji X100s - click for full resolution, Fuji X100S photo taken by A6400 - click for full resolution. Sony Alpha a6400 24.2MP Mirrorless Digital Camera with 16-50mm f/3.5-5.6 OSS Lens - Bundle with Camera Case, 32GB SDHC Card, 40.5mm Filter Kit, Cleaning Kit, Card Reader, Memory Wallet, PC Software 4.5 out of 5 stars 32 Sony E PZ 16-50mm f/3.5-5.6 OSS Lens (SELP1650): A compact, light kit lens with a versatile focal range for u/w photo and video on the a6400. We write about video production gear that we use everyday on real world documentary and corporate shoots. That’s a big feature if you shoot kids who like to get up right in your face anytime you take a camera out. So if you're setting up a shot and the camera auto shuts off after a few minutes, you'll have to reframe your shot again. The beauty of an articulating LCD screen is that it can handle little bumps. It does take sharp pictures and video, yes. Amy Davies | March 7, … I have some sample footage and photos with internal mic. As long as it has autofocus, or if you’re shooting with an ultrawide lens, you can capture video of yourself talking without fuss. There’s one SD memory card slot, inside the battery tray. This is an issue with other Sony cameras as well, but one pet peeve about the A6400 is the picture profiles are not labeled. But as blasé as the A6400 might seem, I argue tha… We think most vloggers looking to upgrade their current setup are either moving up to bigger and more advanced cameras, or they’re moving in the complete opposite direction to something tiny, like the new Sony RX0 II. Maybe not. The SmallRig Cold Shoe Relocation Plate enables you to move the shoe to the right side of the camera, so you can place your mic (or on-camera light, or an external monitor or other accessory) away from the display. When bundled with a 16-50mm lens, the a6400 costs $998; an 18-135mm lens kit … グマ Art 19mm F2.8 DN レビュー, Sony α6400 高倍率ズームレンズキット レビュー その4, Sony α6400 高倍率ズームレンズキット レビュー その3, Sony α6400 高倍率ズームレンズキット. The Sony A6400 goes on sale in February 2019 for $900 USD and $1,250 CAD, body only. It's a little difficult to predict where the flash will bounce to, because just a little bit of tilt will throw it in a vastly different direction. While we’re on the topic of the tilting screen, it does look like a very intricate system of latticework that may not hold up over time, especially if you drop it. There’s also only one customizable button - C1 - which makes it a little difficult to truly customize your shooting style. It comes as a kit with the small and weightless do-everything 18-13… The feels? It’s exactly the same price as the A6400, but the Fuji user experience is top notch, and their colors are insanely good. There's. It comes as a kit with the superb and tiny 16-50mm PZ lens at Adorama, at Amazon, at B&H and at Crutchfield. An interesting biproduct of the onboard flash is that it's not fixed to one position. We really like the physical touch of the buttons - they actually have some bounce to them, even as you rotate the selection wheel on the back of the camera. While the autofocus system is incredible, the Sony user experience starts to shatter as soon as you grab the lens and adjust focus manually. Any old camera can do the job fairly well, whether it’s a GoPro, or an old DSLR on a GorillaPod. If you want to shoot video handheld, you're much better off with the Sony A6500, which has IBIS. bigger. Luckily, SmallRig has already come up with a solution for this issue. One annoying feature is that whenever the camera shuts down, the lens automatically retracts into its closed position, and the camera forgets where you left off. There’s no way around jitters. SONY α6400 ILCE-6400M 高倍率ズームレンズキットを、価格.comに集まるこだわり派ユーザーが、デザイン・画質・操作性など気になる項目別に徹底評価!実際のユーザーが書き込む生の声は何にも代えがたい情報源です。 For under $1000, Sony has come out with one hell of a camera and lens combo for both photo and video shooters - the Sony A6400 with 16-50mm lens. 高コスパミラーレス一眼レフカメラ『α6000』のを徹底レビューしました! カメラに興味のある方、ぜひご検討ください。 ぶっちゃけ、キットレンズはあまりオススメできません。お得なのは間違いないのですが、徐々に慣れてくると物足りなく感じます。 85%. ってから気付いた」とか殆ど無いのですが、今回は有りました。 If money was the only consideration, then sure, nothing else out there comes close to what this camera/lens combo provides. If … We’re not just talking about the old argument about Sony’s color science. It will also be offered as a kit with the SELP1650 lens priced at approximately £1,000 or in a kit with the SEL18135 lens From commercial to documentary filmmaking with larger lenses, to keeping it lightweight as a travel camera. Sample Images Intro Specifications Performance Compared User's Guide Recommendations Sony A6400 (14.3 oz./406g with battery and card, about $898) and ZEISS 24mm f/1.8. That means you’ll either want to get a screen protector, or live with the likelihood of getting scratches all over your LCD display over time. We want images that spark some kind of magic. ソニー ミラーレスカメラ a6400のレンズ選び レンズ選びは撮影用途によりますが、僕はa6400をa7IIIのサブ機という位置付けではなく、別物のカメラとしてコンパクトさを楽しみたいと思っています。 なので、フルサイズ用の大きくて重いレンズや高倍率の望遠ズームには食指が伸びないんです … It’s a small lens by full frame standards, relatively affordable, and pairs well with the a6400’s compact body, delivering great images at a versatile focal length, with pleasing bokeh to boot (see below). I'd get the body-only at Adorama, at Amazon, at B&H or at Crutchfield. The Sony A6400 is a compact APS-C camera with a Sony E mount. The Sony A6400 and A6300 lack IBIS, whereas the A6500 has it. This happened to us a few times when we first started shooting the camera. It comes in several kit versions at Adorama, at Amazon, at B&H and at Crutchfield. And if you’re a vlogger, you’re probably pressured to do livestreams from time to time, right? In fact, the A6400 has good colors with its standard picture profile, and you can shoot in S-Log2 or S-Log3 and grade to your heart’s desire. There are a lot of other cameras now that can use Canon lenses with adapters. Maybe a little too good - somewhat fake, even - but clearly the big manufacturers understand our innate desire for digital images to make us, our friends and family, and our subjects, look better than real life. But given the target audience for this camera, we’re not too bummed about it. As for zooming, you sort of have to choose if you’re a person who likes to grab the zoom wheel to adjust your frame, or if you want to use the servo toggle. But are vloggers really in need of a new camera? Introduction. 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