I'll have a scan here so that you can see what it looks like once it's completely finished and scanned in. All right, now that the watercolor pencil has dried, I am getting ready to go in my soft core pencils. I usually have anywhere from three to five layers in one of my colored pencil paintings. So again, neither one is right or wrong and whichever one seems to be more comfortable for you or achieve the look that you like in the end, that's the direction that you should go in. The proportion and combination of these materials ultimately determine the quality of the pencil. As you might have thought, this time we’ll be drawing two sets of parallel lines instead of just one. This is a printmaking paper. It's also smart to work in small areas, working your way. So, up next, we will talk about adding more layers, why you might want to do that, and how to do it. You can tell if it's dry by turning over your paper and seeing if there are any kind of translucent areas. Hatching. "logo": { So, the ingredients in the colored pencil are pigment and some kind of a binder and sometimes filler ingredients as well. Now, something you may notice as I'm working on this, I do go back and forth between the mid tones and the very darks a little bit. There really isn't a best one to do. Confidence develops over time. Tortillions, which are similar to and sometimes referred to as blending stumps, is an excellent tool for mixing colors in your drawing. This tinge, this color will go away once it's dry. Let's go over a few different varieties and types of colored pencils. Hatching is very useful while filing color in a block. All right, so once you have your overall mid-tones down, you have a pretty good sense for the color story of your subject, the overall form and dimension and you should be starting to see, ''all right this is where I think the darks are going to go, this is where I think the lights are going to go,'' and that is what we are going to discuss in the next lesson. We all loved colored pencils when we were kids but hardly do we ever look back to them while drawing. So, when you're working with color pencils and layers, I strongly recommend starting with the mid tones. You have made it through the entire class and are now ready to put all these principles together to make your very own colored pencil painting. }, So, before we get into colored pencil techniques. Then, using a pen or a graphite pencil (as we need a more rigid tip), press down on the paper and draw incision line, hard enough to make an indent on the paper below. So, a rougher paper like a cold pressed paper, you're going to be able to get more pigment in there and probably work even more layers. But for the purposes of this class, we're mainly going to divide colored pencils into two groups. How do we do it? There’s no good in biting more than what we can chew. Then later the main color over it. If you like a softer, more painterly look, you might go for the rounder stroke. Now, when you're working with soft core color pencils, or any color pencil really as we talked about in the earlier lesson, pretty much all of these colors are blends. This is really simple to do, just take a watercolor paper or whatever kind of paper you're going to be using and do little swatches of all of your color pencils, your watercolor pencils and mark down the number of the colored pencil or the name of the colored pencil underneath, and then blend out an area of it so that you can get a sense of what it looks like once it's dry versus when it's wet. Those papers will allow you to develop quite a bit more detail and you can also work at a smaller scale while still preserving a large amount of detail. In this lesson, we are going to review and go over the types and varieties of paper that work best with watercolor pencil and colored pencil and particularly, the combination of those two. After completing this course, you’ll be familiar with the foundational principles for using colored pencils, and will be able to confidently translate those to create your own beautiful paintings. Hatching is a straightforward technique which finds its application in several styles of drawing such as using graphite, charcoal, and obviously, with colored pencils. Or, if you want to preserve more texture because you like the texture look, you can do that as well. I think the white Korinda Ash is just not as good as the white Prismacolor. After working with this kind of media, the combination of watercolor pencil and colored pencil, you can use either a smoother paper or a rougher paper. Now, all of these strokes can be done either on a large scale, making them more prominent and loud, drawing lots of attention to themselves, or on a smaller scale, making them more quiet and soft and leaving the attention focused on the subject at that point. So, it is time to talk about paper. Try and think of it the way that a sculptor would. Just try to choose one that you don't mind using, because if you're creating an entire color pencil painting, you spend quite a bit of time sharpening colored pencils. From knowing how to sharpen the pencils correctly, to grasping the tens of techniques involved in drawing, there’s a lot to digest. We’ll need the help of an X-ACTO knife or any similar sharp blade as the technique requires us to create extremely thin lines. You can use lots of different sizes depending on the piece that you're working on and the area that you're blending, but the two kind of baseline brushes that I would recommend getting, would be a number two round brush that was made either for oil or acrylic. But if you like a really smooth creamy look that has a bit more of a painterly feel, you may want to try blending with some kind of a solvent. Now, you also need some kind of a solvent, a solvent is what we use to break down the binder in the soft-core pencil so that we can move the pigment around and blend it out and make it nice and smooth, almost like you're working with watercolor or even oil paint and I would recommend using Gamsol, which is made by Gamblin. All right, so now, I'm going in with another layer of colored pencils, soft core colored pencil and just kind of trying to redescribe these details and get everything just as I want it. Again, you can work either in uniform strokes and unidirectional hatching, or cross hatching, or some kind of a circular stroke. Throw out the original box and fasten with rubber bands separated by colors. Incising deals with creating deep impressions on the paper before we draw with the colored pencils, unlike incising where we scratch after we’ve drawn on the surface. There’s a reason for this. 16. This will introduce indent lines on the surface of the drawing sheet, and we can now continue our work with colored pencils. It is an easy yet effective method. Colored pencils are a fantastic medium and I … Watercolor pencils are great for doing the underpainting for a couple of reasons. So highlights are the little tiny areas that are really bright. All right, I'm pretty much wrapping up here, getting close to the end of the piece. So, the way you see and perceive colors and darkness or lightness is influenced and impacted by all of the colors and all of the shades and values around it in the subject. They just won’t behave in the same manner as higher quality pencils. Now unlike acrylic oil or a tube watercolor, most of the colors that you'll be using with watercolor pencils and soft core pencils are mixes or blends. A blunt or dull tip will give a different appearance than a sharpened tip. So, rather than going right in, really bold, really intense, with lots of saturation or darkness, gradually building up the detail and the depth and the form as you're working on the piece as a whole is a nice way to avoid making mistakes or getting an area either too dark or too light really early on in the piece, which as we have discussed in other lessons can be really challenging to fix. The first one, the most common, is blending. This is my first Skillshare class so I'm not sure exactly where all the information should go, but it will be down in the class notes somewhere. My background is in classical oil painting, but I've been working full-time as an illustrator for the last five years completing assignments for Real Simple, Vanity Fair France, and Milk Street Magazine among many others. Then, we will dive right into the technique. Watercolor painters use lingo like “wet-on-wet” and “wet … So, try to remember this. If you’re aiming to use techniques such as Scratching, Scraping or Incising, or if you would like the drawing to possess rich texture, paperweight comes into play.                                                                                                                                                                                  Â. Coloring with colored pencils. So, at this point, you should have your under painting finished, several layers of the soft core pencil on top with your midtones, and your darks, and your lights. Similarly, the quality of the colored pencil you’ll be using has a significant difference in the outcome of the drawing. Starting with the mid-tones also gives you a better sense for comparing darks and lights in your piece. Always draw parts with colored pencil pressing down lightly and if it looks good, color over the same area pressing down hard. But the four main categories of marking we are going to talk about are unidirectional hatching, and this is just going back and forth with a colored pencil in the same direction lots and lots of times; cross hatching which is where you go back and forth in one direction for a little while and then go back and forth in another direction over the top of the hatch; even circular strokes, and wild circular strokes. Now, if you are familiar with classical oil painting or even painting with acrylic I suppose, this method is called fat overly. "mainEntityOfPage": "https://homesthetics.net/how-to-use-colored-pencils/", Luckily, they are all collected here. You have your underpainting and then the layer of your soft core pencils down. So for this reason, some color pencil artists really like to use electric pencil sharpeners and I have used those at times in the past. Try to start with a bit more of a tentative hand so rather than reaching for the darkest thing that you can, when you're developing your shadow areas, start out with maybe things that are a shade or two darker than your mid tones. Adding Darkest Darks and Lightest Lights, 13. Learn how to blend colored pencils with 4 popular blending methods: burnishing with pencils, blending solution, a white pencil or a blending pencil. We rub our colored pencil(s) over the surface. If you don’t want to blend all over the surface, then this one is a must-have item for you. Here, you would like to use multiple layers of wash. We employ the layering technique in which we combine colors with different hue and value. Now, depending on how much detail you want in your piece and how developed you want to get it, you might want to add more layers at this point. So, avoiding bristol board, avoiding mylar, avoiding pastel mat, even though those are all my services that can work well, they're just not great for this combination of media. Straight to the point, there are a few methods that will be observed individually. No, we’re not suggesting that you spent a fortune on the set of pencils, rather reminding you to steer away from the glossy cheap ones. Irrespective of the technique, focus on it, experiment with it and add your personal touch. With watercolor pencils you can get the best of both worlds, using water to blend and overlaying it with burnished color. Final Thoughts: Well done. So, to burnish, what you have to do is press really hard with your pencil. So, once you've done a few layers of the shadows and you've developed those to the point where you feel like they're pretty much what they should be when compared to your reference, you can go on to developing the highlights. That's because I'm really comfortable with this process, so I haven't strictly separated it into the process that we talked about in the class, the mid tones, then the darks, then the lights. If there are, that means it's still wet. WHAT YOU'LL LEARN: To build a palette with colored pencils To identify your unique colored pencil handwriting To create an underpainting using watercolor pencils To layer colored pencils To blend using solvents and burnishing To create vibrant color, interesting texture and detail So there are literally dozens of brands of color pencils on the market. The next technique that we’ll learn is using mixed media with the colored pencils, viz, watercolors. The reason this is the case, is that hue which is color and value, which is dark and light don't happen in a vacuum. They probably look nowhere near your expectations. Wait! So, I recommend the Alvin Brass Bullet. Again, like we talked about in the class, I am using primarily mid tones to get started here, and this will help keep my painting from getting too dark or too light too early. Approaching the mid tones first, will help you better determine the overall shape and form of your subject. The one thing to keep in mind if you do decide to go that route is that, the less expensive a colored pencil, generally that means the less pigment that colored pencil will have. Once we’re confident in our ability to stroke parallel lines while ensuring that they won’t touch, it’s time to proceed further. When I'm using Gamsol with the blend colored pencils, I do usually prefer to use a softer brush, that number four filbert that I mentioned at the beginning of the class, but you can use whatever kind of brush you like best. Similar to a paintbrush, you can tilt your colored pencil to get broad strokes or fine lines. Disclaimer | This article may contain affiliate links, this means that at no cost to you, we may receive a small commission for qualifying purchases. Now, just like your handwriting, the way that you lay down colored pencil will be unique and after some time, after practice, after many hours of doing it, it will eventually also just like your handwriting become something that you don't even think about. Again, going and trying to bring everything together and you'll see it's toning down that white area quite a bit so that it doesn't take over the whole piece and get too loud and too bright too early. So now, after having made your first pass at the mids, the darks and the lights and doing a little bit of blending with odorless mineral spirit, you should have at least two layers down. … Which colored pencils should I be using? 8. If you burnish a paper that really wasn't meant for it, that doesn't have much tooth or texture to begin with, you can end up tearing the paper or making it kind of pill, and it just ends up with not a very nice look. You want it still to have a little bit of stiffness but definitely to be softer than the number two round brush. "@context": "http://schema.org/", This is because adding a white colored pencil or light colored pencil on top of a mid-tone can line an area, can provide some brightness. Next, we'll have a quick review of some other supplies and materials you will need if you're creating color pencil painting. Using a lower quality pencil will produce lower quality results. If you already have something on hand you can go ahead and use that but my recommended pencils, if you're buying something new or you want to get another set, for the lower end would be Prismacolor and for the higher end would be the Caran d'Ache luminance. So, to blend your colored pencils using Gamsol, just like when we were blending the watercolor pencils with water, you want to start out using the absolute tiniest amount possible, and swish it around either in a back and forth or little circular movements with your brush. A colorless blender is a colored pencil without any pigment. So, working in layers is a really great way to help keep yourself from making those kinds of mistakes and to minimize those kinds of mistakes. All that is required to do is to draw many parallel straight lines close to each other. We will talk more about why that's my recommendation when we get to the blending lesson later on in the class. So, once you've identified the darkest areas of your subject and you're getting ready to add and develop those shadows, rather than going right in with black, ask yourself how dark is that area really when compared to the midtones. Some are very affordable costing 10 to 20 cents per pencil. In this article, we will learn about colored pencil techniques for beginners. Aren’t we all astonished whenever we see a fabulous piece of artwork? Therefore it is suggested that you only use paper that is suitable for drawing. Just keep in mind that more of these really bright opaque highlights will generally create a less realistic look because most subjects that are naturally lit, just think of a face for example, only have a few little tiny areas that actually really have that kind of a highlight, like it might appear in the eyes or on the lips. The second set of parallel lines essential creates a grid or a mesh-like structure. So, I did the green first and now I'm working on the red, and just like we talked about in the class, I am using very little water just enough to help me get the pigment wet and move it around a bit, but I'm not getting my paper to saturate it. It’s essential that you use a bright blue color as the first layer then apply darker shades later on. So, after looking at your subject and taking your best guess and evaluating, go to your box of colored pencils, pull out those colors and set them aside either in another container or on your workspace. These do look very different from a straight colored pencil drawing. Cross Hatching: Cross hatching is the cousin to hatching, but instead of parallel … I'm just working my way across the piece from left to right since I'm right handed which helps me avoid any smudges, and just makes the blending process simpler. That still isn't really functioning as a highlight because even though I'm using the white colored pencil, I'm blending it with other colors so it's not really a pure, pure white. After drawing a few strokes using the colored pencils, we add a wash with watercolors. Mark Making: Your Colored Pencil Handwriting, 6. Once you’ve learned that i’ll walk you step by step in coloring a beautiful looking butterfly until it’s done. So, having that neon orange to blend and layer in with your reds can really help make them vibrant and pop. Now, this is optional, but it's what we're going to use to add opaque highlights on top at the very end. So, yeah, just flip your paper over and look and see if there are any of those on translucent areas. Throughout this class, there will also be lots of demonstrations showing exactly how I'm using the mediums, and the techniques, and I'll also be creating a piece from start to finish using all these techniques, so that you can see not only the individual skills on their own, but see how they work once they're all put together, and use to create a piece from start to finish. It may be regarded as the minimalist approach. Don’t worry, as we’ll cover every topic in bite-sized pieces. "description": "Using colored pencils demystified. Using this method we can achieve an astounding level of detail in our drawing. The harder you press, the more pigment will end up on the paper, which means that, that area will be darker and more saturated once it's blended out. 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